Xxx gorda peituda chupando e metendo gostoso | trap music

trap music, subgenre of rap music characterized by heavy bass, complex drum patterns including rapid hi-hats and rhythmic snare hits, and booming sub-bass lines dubbed “808s” for the Roland TR-808 drum machine. It emerged from the Southern hip-hop scene and incorporates elements of electronic dance music (EDM). Trap music often features triplet rhythms (three notes to one beat), and performers frequently use triplet flows with syllables in verses. Lyrics generally revolve around the drugs, sex, violence, and riches of street life.

Xxx gorda peituda chupando e metendo gostoso - Origins in Atlanta

Trap music originated in the 1990s in Atlanta as an offshoot of gangsta rap, a subgenre of rap with lyrics recounting violence and gang-related activities. Trap takes its name from “trap houses” where illegal drugs such as crack cocaine are produced and dealt, and it references the feeling of being “trapped” beyond the margins of society.

One of the first rappers to use the term trap in a lyric was Khujo of the Atlanta hip-hop group Goodie Mob. In the 1995 song “Thought Process” from the album Soul Food, he raps:

All my folks that hang with me
When I was out in the trap or when I was goin’
Through one of our episodes, only God knows
What I go through, so I get down on my knees

Although Khujo credited André 3000 of Outkast as the first rapper to use trap in a song, the track he specified, “Player’s Ball” from 1993, does not include the term. André 3000, however, is featured as a guest artist on “Thought Process,” and his verse includes a variation of the word.

Trap’s signature sound was developed by producer Shawty Redd (byname of Demetrius Stewart) in the late 1990s. While working with Alabama-born rapper Drama on his 2000 album Causin’ Drama, Shawty Redd had the idea to add what he called “booty-shake” hi-hats. (In 2018 he told Complex magazine, “I just wanted something that would make me bounce.”) Shawty Redd is also known for his work with Snoop Dogg, Lil Jon, and Yo Gotti, as well as Young Jeezy and Gucci Mane—two rappers whose work earned them colloquial status as members of the “holy trinity of trap.”

T.I.—the third member of trap’s holy trinity—helped bring the subgenre into the mainstream with his second album, Trap Muzik (2003), a collaboration with producer Aldrin Davis, known professionally as DJ Toomp. The album debuted at number four on the Billboard 200 chart and number two on the Top R&B/Hip-Hop Albums chart. Featuring production contributions by Kanye West and David Banner and fatalistic lyrics about hustling and surviving on the streets, the album arguably announced the first trap star. With Trap Muzik’s success, the music that had only been informally referred to as trap became established in hip-hop canon.

Xxx gorda peituda chupando e metendo gostoso - Evolution and rising popularity

About 2009 Virginia-born producer Lex Luger introduced more-aggressive beats inspired by Shawty Redd and DJ Toomp to rapper Waka Flocka Flame. Born in Queens, New York City, Waka Flocka Flame moved to the suburbs of Atlanta at age nine and came under the wing of Gucci Mane. Waka Flocka Flame adopted Luger’s dramatic sound for his debut album Flockaveli (2010). “Hard in Da Paint,” a high-energy track featuring a haunting vocal delivery and lyrics about street loyalties, became a hit and further popularized the subgenre.

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The 2010s saw the rise of Atlanta trap artists such as Future, Young Thug, and 2 Chainz, the latter of whom released the star-studded Pretty Girls Like Trap Music (2017), which critics called one of the year’s best rap albums. Future in particular began a prolific hip-hop career that earned him multiple Grammy Awards and produced several multiplatinum albums. Future’s performances blending melodic singing with rap took the genre’s mainstream appeal to new heights with the addition of trap beats produced by the likes of hitmaker Metro Boomin. In 2017, for example, the duo released “Mask Off” on Future’s eponymous album, earning nearly two billion streams on Spotify.

By 2017 trap dominated the charts, helping to propel R&B/hip-hop to the number one genre in the United States for the first time, according to Billboard magazine. Its sound was adopted by established rappers such as Drake and Nicki Minaj as well as young newcomers of the music streaming scene, including Juice WRLD and Lil Uzi Vert, who first found fame on SoundCloud. Chart-topping albums such as Migos’s Culture (2017) and Travis Scott’s ASTROWORLD (2018) proved American audiences were hungry for the trap sound.

No longer an exclusively Southern music style, trap spread across the United States, with the emergence of such producers, DJs, and rappers as Flosstradamus (Chicago), Baauer (Brooklyn), Fetty Wap (New Jersey), and Ice Spice and Cardi B (both from the Bronx). There were also robust trap scenes in Canada (as heard in tracks by 88Glam, a Toronto-based duo discovered by The Weeknd), Latin America (in particular, Puerto Rico’s Bad Bunny), Europe (especially Spain, as typified by the success of flamenco and pop singer Rosalía, whose music incorporates trap), and Asia. In Japan, trap infused elements of local culture such as lyrics referencing anime.

EDM trap and other offshoots

Meanwhile, Scottish EDM artists Hudson Mohawke and Rustie and Canadian EDM artist Lunice began incorporating Luger’s beats in their mixes, and EDM trap became a significant development in the genre.

In addition to EDM trap, other popular offshoots of trap include Latin trap, which incorporates reggaeton and dembow music; K-pop trap, a South Korean variety influenced by hip-hop, R&B, and EDM; tropical trap, which blends in calypso beats and the sounds of reggae, dancehall, and tropical house; and trap soul, which incorporates contemporary R&B and lyrics about romantic relationships. Even country music became a home for the trap sound, with Post Malone and Jelly Roll among the recording artists mixing the two musical styles. Notably, in 2019 Lil Nas X’s “Old Town Road,” a country-trap collaboration with Billy Ray Cyrus, spent a record-breaking 19 weeks at number one on Billboard’s Hot 100 chart.

Trap also garnered industry success beyond mega-sales, with Fetty Wap’s “Trap Queen” receiving Grammy nominations for best rap song and rap performance in 2015. Two years later Cardi B’s “Bodak Yellow,” a track from her trap-injected album Invasion of Privacy, earned nominations for best rap song and rap performance and was hailed by critics as “the rap anthem of the summer.” She followed up with a Latin trap version, with raps in both Spanish and English.